Res, a matter.

– Guest Editor for

eContact! Biotechnological Performance Practice / Pratiques de performance biotechnologique, 14.2, 2012.

– Journals

Incarnated sound in Music for Flesh II. Defining gesture in biologically informed musical performance.
in Leonardo Electronic Almanac (LEA), Special Issue “Touch and Go”, Leonardo and MIT Press (in progress).

Performing Proprioception and Effort in “Hypo Chrysos”, an Action Art Piece for the Xth Sense
in eContact! Biotechnological Performance Practice / Pratiques de performance biotechnologique, 14.2, 2012.

Fractal Flesh — Alternate Anatomical Architectures: Interview with Stelarc
in eContact! Biotechnological Performance Practice / Pratiques de performance biotechnologique, 14.2, 2012.

– Proceedings

Muscular Interactions: Combining EMG and MMG sensing for musical practice, co-authors: Baptiste Caramiaux, Atau Tanaka
in Proceedings of the Conference on New Interfaces for Musical Expression (NIME), Seoul, South Korea, 2013.

Body and Space: Combining Modalities for Musical Expression, co-authors: Baptiste Caramiaux, Atau Tanaka
Work-in-progress study accepted at the Conference on Tangible and Embedded Interaction (TEI), Barcelona, Spain, 2013.

Hypo Chrysos: Mapping in Interactive Music Performance Using Bioacoustic Sensing
in Proceedings of the Conference on Tangible and Embedded Interaction (TEI), Barcelona, Spain, 2013.

Music for Flesh II: informing interactive music practice with the viscerality of the body system
in Proceedings of the New Interfaces for Musical Expression Conference (NIME), Ann Arbor, Michigan, USA, 2012.

Xth Sense: recoding visceral embodiment
in Proceedings of the Computer-Human Interaction Conference, Workshop on Liveness (CHI2012), Austin, Texas, USA, 2012.

A Pd framework for the Xth Sense: enabling computers to sense human kinetic behaviour
in Proceedings of the 4th Pure Data Convention (PdCon), Weimar, 2011.

Xth Sense: a study of muscle sounds for an experimental paradigm of musical performance
in Proceedings of the International Computer Music Conference (ICMC), Huddersfield, 2011.

Xth Sense: researching muscle sounds for an experimental paradigm of musical performance
in Proceedings of the Linux Audio Conference (LAC), NUI Maynooth, Ireland, 2011.

– Articles

“Origination and Metacreation: a conversation with Ben Bogart”
Vague Terrain, 2011.

“Golden Shield Music, Sonification of IT censorship technologies”
Micro New Media Art Magazine, Is. 00, Shangai, China, 2011.

“Openlab Interview”
Vague Terrain, 2010.